Ajanta Caves Aurangabad Maharashtra,India




Location: Aurangabad,Maharashtra,India

Ajanta caves are located 99-km away from Aurangabad district in the state of Maharashtra.

Built In :

Ajanta caves were carved out from the 2nd century BC to 6th century AD, and are ranked high as a world heritage site.

HOW TO REACH THERE?

Nearest Airport :
The closest airport is at Aurangabad, 108 kms away.
Nearest Railway Station : 
The closest railhead to Ajanta is Jalgaon which is approximately and hour and a half away. It is possible to hire a car or take a bus from here to the caves.
Nearest Bus Stop : 
Regular buses ply from Jalgaon and Aurangabad to Ajanta. Otherwise you can choose to hire a private taxi to take you around.

Where to Stay?

There are limited places to stay in Ajanta. You can check in Ajanta Travellers Lodge or Hotel Padmapani Park on Jalgaon-Aurangabad highway.

Most visitors prefer to stay in Aurangabad or Jalgoan where there are a variety of hotels, from budget to luxury.

Best Time To Visit :

Winter months (from October to February) or during the monsoons are a good time to visit the Ajanta Caves. Weekends and holidays tend to be very hectic with plenty of visitors to the cave.

About Ajanta Caves  :

They were hidden in the midst of a lonely glen with a streamlet flowing down below. They were scooped out into the heart of the rock so that the pious Buddhist monk could dwell and pray. 

During this time, images of Buddha interpreting his different life stories and several types of human and animal figures were carved out of rock in-situ.

All sections of people of the contemporary society from kings to slaves, women, men and children are seen in the Ajanta murals interwoven with flowers, plants, fruits, birds and beasts.

There are also the figures of 'Yakshas', 'Kinneras' (half human and half bird) 'Gandharvas' (divine musicians), 'Apsaras' (heavenly dancers), which were of concern to the people of that time. The Ajanta caves are dedicated solely to Buddhism.

The 30 Chaityas and Viharas have paintings, which illustrate the life and incarnations of Buddha. The artist has lent his creativity in each work with an overwhelming sense of vitality.

History :

The monastic complex of Ajanta consists of several viharas (monastic halls of residence) and chaitya-grihas (stupa monument halls) cut into the mountain scarp in two phases. 

The first phase is mistakenly called the Hinayana phase (referring to the Lesser Vehicle tradition of Buddhism, when the Buddha was revered symbolically). 

Actually, Hinayana – a derogative term for Sthaviravada – does not object to Buddha statues. At Ajanta, cave numbers 9, 10, 12, 13, and 15A (the last one was re-discovered in 1956, and is still not officially numbered) were excavated during this phase. 

These excavations have enshrined the Buddha in the form of the stupa, or mound.

Paintings :

Paintings are all over the cave except for the floor.At various places the art work has become eroded due to decay and human interference. 

Therefore, many areas of the painted walls, ceilings, and pillars are fragmentary. 

The painted narratives of the Jataka tales are depicted only on the walls, which demanded the special  attention of the devotee. 

The process of painting involved several stages. The first step was to chisel the rock surface, to make it rough enough to hold the plaster. 


The plaster was made of clay, hay, dung and lime. Differences are found in the ingredients and their proportions from cave to cave. While the plaster was still wet, the drawings were done and the colors applied. 

The wet plaster had the capacity to soak the color so that the color became a part of the surface and would not peel off or decay easily.
















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